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±³°ú¸ñ
¹øÈ£ [ 100.113 ] |
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¼¼°è¼ÓÀÇ
ÇÁ¶û½º¾î
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France in
a World Perspective |
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Çö´ë À¯·´ ¹®ÈÀÇ ÇÑ Á߽ɿ¡ ÇÁ¶û½º°¡ À§Ä¡Çϰí ÀÖ´Ù°í º¼
¶§, ÇÁ¶û½º¾î°¡ À¯·´°ú Àü¼¼°è¿¡ ¹ÌÄ£ Á¤½ÅÀû, ¹®ÈÀû ¿µÇâ·ÂÀº ¾öû³ª´Ù°í ÇÒ ¼ö
ÀÖ´Ù. ÀÌ °Á´ À¯·´À» ³Ñ¾î ¼¼°è ¼Ó¿¡¼ ÇÁ¶û½º¾î°¡ °®´Â ¿µÇâ·ÂÀ» À¯·´¹®ÈÀÇ
¿ª»çÀû È帧°ú È®»êÀ̶ó´Â °üÁ¡¿¡¼ »ìÆìº¸°í Àü¼¼°è¿¡¼ ÇÁ¶û½º¾îÀÇ »ç¿ëµµ¿Í Àεµ
À¯·´¾î ³»¿¡¼ÀÇ ÇÁ¶û½º¾îÀÇ °èÅëÀ» Áß½ÉÀ¸·Î ÇØ¼ À¯·´ Àαپð¾î¿Í Çѱ¹¾îµî°úÀÇ ÇüÅÂÀû,
±¸Á¶Àû Â÷À̸¦ Á¶¸íÇÑ´Ù.
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Viewing France as the center of
modern European culture, we can say that the
spiritual and cultural influence of the French
language on Europe and the whole world is tremendous.
This course will look at the influence of French
beyond Europe, in a worldwide perspective through
the historical currents and expansion of European
culture, and study the syntactic and structural
difference with neighboring European languages
and with Korean, focus on the usage-rate of
French in the world and on the genealogy of
French in the Indo-European language family. |
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±³°ú¸ñ
¹øÈ£ [ 100.114 ] |
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ÇÁ¶û½º
Çö´ë»ç»ó°ú ¹®ÇÐ
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Modern
France Thoughts and Literature |
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À¯·´ Áö¼º»ç´Â »ç»ó»ç¿Í ¹®Çл簡 ¹ÐÁ¢ÇϰÔ
°áÇյǾî ÀÖ´Ù´Â Á¡¿¡¼ Àι®ÇÐÀû Ư¼ºÀ» Áö´Ï°í ÀÖ´Ù. ¸ð´õ´ÏÁò, ½ÇÁ¸ÁÖÀÇ, ±¸Á¶ÁÖÀÇ,
ÇØÃ¼ÁÖÀÇ¿Í °°Àº Çö´ëÀÇ ´ëÇ¥ÀûÀÎ »ç»óµéÀº ÇÁ¶û½º¸¦ Áß½ÉÀ¸·Î ¹ßÀüÇÏ¿© Àü ¼¼°è¿¡
¿µÇâÀ» ³¢Ä£ ¹Ù Àִµ¥ ¿ì¸®´Â ÇÁ¶û½ºÀÇ Çö´ë »ç»óÀÇ Åä´ë¸¦ ÀÌ·ç°í ÀÖ´Â ¹®ÇÐ ÀÛǰÀ»
µ¶¼ÇÔÀ¸·Î½á ÇÁ¶û½º Çö´ë »ç»ó°ú ¹®ÇÐÀÇ °ü°è¸¦ ¹àÈ÷°í, À̸¦ Åä´ë·Î ¿ì¸® »çȸ¸¦
¼³¸íÇÒ ¼ö ÀÖ´Â ´Ù¾çÇÑ ½Ã°¢À» ÀÌÇØÇϰíÀÚ ÇÑ´Ù.
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The history of European intellect
show humanistic characteristics in that the
history of thought and literature has been closely
connected. The principal currents of modern
thought such as Modernism, Existentialism, Structuralism
and Deconstructionism mainly flourished in France
to influence all the world. We will read the
literary works that form the basis of French
modern thought, to define the relations between
modern French thought and literature, and through
this work we will try to reach an understanding
of the various views that try to give an account
of our society. |
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±³°ú¸ñ
¹øÈ£ [ 100.115 ] |
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ÇÁ¶û½º
¹®Çаú ¿¹¼úÀÇ È帧
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Trends in
France Literature and Art |
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ÇÁ¶û½ºÀÇ Áö½ÄÀεéÀÌ »ó¾ÆÅ¾¿¡ ¾ÈÁÖÇϱâ
ÀÌÀü¿¡ ¸¹Àº ¹®Çа¡µéÀº ÀÛ°¡ÀÎ µ¿½Ã¿¡ À½¾ÇÀ̳ª ¹Ì¼ú, °ÇÃà°ú °°Àº ºÐ¾ßÀÇ ºñÆò°¡¿´°í
½ÉÁö¾î´Â öÇа¡À̱⵵ Çß´Ù. ÀÌó·³ ÇÁ¶û½º ¹®ÇÐÀº ¿¹¼úÀÇ Àü¹ÝÀûÀÎ È帧°ú ºÐ¸®Çؼ
ÀÌÇØÇÒ ¼ö ¾ø´Âµ¥, ¿ì¸®´Â Áß¼¼ºÎÅÍ Çö´ë¿¡ À̸£´Â ÇÁ¶û½º ¹®ÇÐ ÀÛǰ°ú ¿¹¼ú ÀÛǰÀ»
´ç´ëÀÇ »ç»ó»çÀû ¸Æ¶ô¿¡¼ ü°èÀûÀ¸·Î ºÐ¼®ÇÏ°í ±×°ÍÀ» ¿ì¸® ½Ã´ëÀÇ °üÁ¡¿¡¼ À籸¼ºÇÔÀ¸·Î½á
ÇÁ¶û½º ¹®Çаú ¿¹¼úÀÇ Àü¹ÝÀûÀÎ È帧À» ÀÌÇØÇϰíÀÚ ÇÑ´Ù.
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Before the French intellectuals
sought the comfort in their ivory towers, many
men of letters were critics in such fields as
music, art, architecture as well as writers,
and some were even philosophers. The understanding
of French literature is thus inseparable from
the understanding of the overall currents of
the arts, and we will systematically analyse
French literary works and art works, from the
Middle Ages to today, in a historical perspective
of thought and reconstruct it from a contemporary
view, to better understand the general currents
of French literature and art. |
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±³°ú¸ñ
¹øÈ£ [ 100.116 ] |
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½ÃÇÁ¶û½ºÀÎÀÇ
»î°ú »çȸ
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France Life
and Society |
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'Â÷ÀÌ'¸¦ ¾î¶»°Ô ÀÌÇØÇÒ °ÍÀΰ¡? µ¿Àϼº°ú
ŸÀÚ¿¡ ´ëÇÑ Ã¶ÇÐÀû Áú¹®À» ³»Æ÷Çϰí ÀÖ´Â ÀÌ ¹®Á¦´Â Çö´ëÀÎÀÌ ÀÚ½ÅÀÇ Á¤Ã¼¼ºÀ» ÀÌÇØÇÒ
¶§ Á¦±âÇÏ°Ô µÇ´Â Áß¿äÇÑ ¹®Á¦ÀÌ´Ù. ¿ì¸®´Â ÇÁ¶û½º¶ó´Â 'ŸÀÚ'¸¦ ¼±ÅÃÇÏ¿© ¹®ÇÐ,
À½¾Ç, ¹Ì¼ú, °ÇÃà°ú °°Àº ºÐ¾ß»Ó¸¸ ¾Æ´Ï¶ó ¹ý°ú Á¦µµ, ÇÁ¶û½ºÀεéÀÌ »ý»êÇØ³½ ´Ù¾çÇÑ
À̵¥¿Ã·Î±âµéÀ» ¿ª»çÀû °üÁ¡¿¡¼ Á¶¸ÁÇϰí À̸¦ ÇÁ¶û½ºÀÎÀÇ ÀÏ»ó»ýȰ°ú ¿¬°á½ÃÄÑ ºñÆÇÀûÀ¸·Î
ÀÌÇØÇϰíÀÚ ÇÑ´Ù.
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How do you perceive 'difference'?
This implies a philosophical questioning of
identity and the Other, and it is an important
question that arises when modern man tries to
come to an understanding of his identity. We
choose France as the 'Other' to look into, from
a historical perspective, not only such fields
as literature, music, art, architecture, but
also its law, systems, the various ideologies
the French have produced, to link it with the
everyday life of the French, for a critical
review. |
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